Liner Notes zu Androgynous Zone von Androgynous Zone

Like I Do. Let's play hide seek. Let's play hide and seek and let's pretend that I'm not there. Let's pretend I'm simply not there. In this warm bed of mine, asleep, it's almost as good as being dead. It's so good. Almost as good as being dead. Let's pretend that I'm not there. You can't find me. I'm not there. I want you to hate me. I want you to hate me like I do. I want you to hate me like I do. Something's wrong here. And where does that gasoline smell come from? My head. My head. My head must be leaking. And let's pretend that it's not there. I want you. I want you. I want you. I want you to hate me. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. I want you to hate me like I do. And I do.
Mathias Huber

Tender Butch. Push the différances over the edge of the blade. Give me that knife, Julia, before it's too late. It's okay if you don't like your sex, but stand by your gender (by your gender). Textual harassment. Dissolve the holy code books. Castrate the guitar. Burn the family bible. Stop the genetic war. It's okay if you like your sex, but please forget your gender (forget your gender). Textual harassment. Refuse me (them) the knowledge. Don't let me (them) in. Lock me (them) in the libraries. Disconnect my (their) skin. It's okay if you don't want my sex, but please love my gender. (Love it tender.) Textual harassment. Textual harassment.
Mathias Huber: Musik, Stimme, Bass
Mike Süß: Schlagzeug
Gerald Fiebig: Text, Hintergrundstimme

Süßstoff.
Mike Süß

Chain Smoke Signal. Let me speak. You can't hear me. Let me speak. You can't hear me. Let me speak. You can't hear me. Let me speak. You can't hear me. Let me speak. I'm not here. I'm your language. I'm not here. I'm your language. You can't hear me. I'm your language. I'm not here. Echo chamber. Gas chamber. Smoke chamber. Gas chamber. Echo chamber. Smoke chamber. Gas chamber. Suddenly the body came back back. Going up in smoke. Going up in smoke. Suddenly the body came back. Going up in smoke. Suddenly the body came back. Going up in smoke. Going up in smoke. Where there's smoke there's sure to be desire. Where there's smoke there's sure to be desire. Where there's smoke there's sure to be desire. Give the analyst a cigarette. That's as close as he's ever gonna get. Give the analyst a cigarette. That's as close as he's ever gonna get. Give the analyst a cigarette. That's as close as he's ever gonna get. Give the analyst a cigarette. That's as close as he's ever gonna get. Give the analyst a cigarette. That's as close as he's ever gonna get. Echo chamber. Gas chamber. Smoke chamber. Gas chamber. Echo chamber. Gas chamber. Smoke chamber. Gas chamber. I'm your language. Let me speak. You can't hear me. I'm your language. Let me speak. You can't hear me. Let me speak. You can't hear me. Let me speak. I'm not here. You can't hear me. Let me speak. I'm not here. You can't hear me.
Gerald Fiebig


Androgynous Zone waren Mathias Huber, Gerald Fiebig und Mike Süß.
Die Stücke wurden 1993 (Like I Do), 1994 oder 1995 (Tender Butch, Süßstoff) und 1996 oder 1997 (Chain Smoke Signal) mit einem analogen Vierspur-Recorder aufgenommen.
Das Coverfoto machte Marti Klang.

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